Quilters Hangup – a review

Today I put the finishing touches to the quilt I’ll be exhibiting at this year’s Festival of Quilts in Birmingham.   Anyone who has exhibited a quilt before will know that these preparations include the addition of a hanging sleeve.

Attaching pre-prepared quilt hanging sleeve

Attaching Quilters Hangup

In the past, I have made my own hanging sleeve (essentially a tube of fabric attached to the quilt back that allows a hanging rod to be inserted).  Nowadays I don’t bother making my own.  Instead I use a ready-made quilt hanging sleeve called Quilters Hangup.

I first came across Quilters Hangup last year and I love them.  They are made from a sturdy cotton fabric and come in a natural unbleached muslin (this in the one I use) and black.   Pre-made to the regulation 4 inches tall, the Quilters Hangup also includes a pleat at the top edge that allows quilts to hang flat!    And the rainbow thread on the back  is a pretty touch.

Pre-prepared quilt hanging sleeve

Quilters Hangup

Quilters Hangup may not be the cheapest option however they do save a lot of time.  Simply cut to length and hem the ends.  There is enough in each pack to make a hanging sleeve for even the largest Super King size quilt.  Quilters Hangups can be sewn into a quilt before or after sewing on the binding.   I prefer to hand sew my Quilters Hangup to the quilt after binding.  My quilts are made to be used rather than hung on a wall, so it is essential that I can easily remove the sleeve.  Plus making the sleeve removable means that I can re-use the hanging sleeve when exhibiting other quilts the same size.

I’m sure Quilters Hangups are readily available in America as they are a USA product.  For those in the UK, I purchased mine from Sew Hot.

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New Quilting exhibition, Rheged Gallery – a picture post

Last week I made a flying visit to Cumbria to see the New Quilting exhibition at the Rheged Gallery.

New Quilting exhibition - Rheged Gallery, Penrith, Cumbria

New Quilting exhibition – Rheged Gallery, Penrith, Cumbria

Over 70 quilts are on display and 30 quilters have contributed quilts for the exhibition.   There is so much to see – traditional designs, modern quilts, detailed hand quilting, elaborate machine quilting, 3D works, quilts that look like maps, ones that look like travel posters, free cut quilts, improvised piecing and appliqué.  There are even some quilts from the early 1900s on display.

New Quilting exhibition - Rheged Gallery, Penrith, Cumbria

New Quilting exhibition – Rheged Gallery, Penrith, Cumbria

One of my quilts features in the exhibition and here it is on display, yay!

A Life in Film quilt - Rheged Gallery - New Quilting exhibition

A Life in Film quilt – Rheged Gallery – New Quilting exhibition

And here is a closer look at the quilt, titled “A Life in Film”,  that I made for my nephew.  It features Polaroid blocks that highlight aspects of his life – growing up on a farm, his love of basketball, a special trip to the zoo, his love of chocolate cake, to name but a few.  I know he’ll love snuggling under it when reading or watching TV.

A Life in Film quilt - Rheged Gallery - New Quilting exhibition

A Life in Film quilt – Rheged Gallery – New Quilting exhibition

But enough about my quilt.  Here are some of my highlights and favourite quilts from the exhibition.

Cologne Cathedral quilt by Greta Fitchett - Rheged Gallery - New Quilting exhibition

Cologne Cathedral quilt by Greta Fitchett – Rheged Gallery – New Quilting exhibition

I loved this quilt of Cologne Cathedral by Greta Fitchett which represents a scene reflected in other buildings.  Those lines between the blocks are really skinny and must have been so difficult to get straight.  It reminds me of photographs made from contact sheets.

Coming into Land quilt by Alicia Merrett - Rheged Gallery - New Quilting exhibition

Coming into Land quilt by Alicia Merrett – Rheged Gallery – New Quilting exhibition

This was another of my favourites, by Alicia Merrett, showing a pilot’s view of a country landscape at night, with an air strip on the right hand side.  The quilting really helps to accentuate the contours of the landscape and I love the bright colours of the houses shining in the dark.

Sweet City quilt by Marita Lappalainen - Rheged Gallery - New Quilting exhibition

Sweet City quilt by Marita Lappalainen – Rheged Gallery – New Quilting exhibition

This quilt by Marita Lappalainen made me smile.  Recycled fabrics and crochet pot holders feature in this work of an imagined city.  She said that she wanted to make something “fairy tale like, childish and fanciful”.  I’d say she has nailed it.

Detail of Bitter Pills quilt by Sara Impey - Rheged Gallery - New Quilting exhibition

Detail of Bitter Pills quilt by Sara Impey – Rheged Gallery – New Quilting exhibition

This quilt, Bitter Pills,  by Sara Impey was especially thought-provoking.  It is a whole cloth quilt featuring free-motion embroidery.  The juxtaposition of the bright colours of the capsules against the “bitter pills facing society” serves to heighten the power of this work.

Detail of Log Cabin quilt made in 1900 - Rheged Gallery - New Quilting exhibition

Detail of Log Cabin quilt made in 1900 – Rheged Gallery – New Quilting exhibition

This shows the detail from one of the quilts, made in 1900, that is on display.  The quilt is quite large – certainly large enough for a double bed – and must have taken hours to hand sew all those tiny seams.

Detail of Blue Cabin quilt by Joy Salvage - Rheged Gallery - New Quilting exhibition

Detail of Blue Cabin quilt by Joy Salvage – Rheged Gallery – New Quilting exhibition

A modern day version of a log cabin quilt was also on display.  This one is by Joy Salvage, a young quilter in her mid 20s, and features log cabin blocks where each of the logs are only 1/4 inch wide!

Detail of After Boro quilt by Janice Gunner - Rheged Gallery - New Quilting exhibition

Detail of After Boro quilt by Janice Gunner – Rheged Gallery – New Quilting exhibition

I’m a great fan of scrappy quilts and I loved this one by Janice Gunner.  The colours she has chosen and the lovely hand quilting have transformed old fabrics (often rags) into something beautiful.

I could go on and on about the quilts but really, the best thing is for you to see them for yourself.  The exhibition runs until 23 April and is well worth a visit.

Like what you see?  Remember you can follow me on FacebookInstagram and Pinterest to see more of my lovely makes.

Memories of childhood Polaroid patchwork quilt

Here at last is the quilt that I exhibited at the recent Festival of Quilts held in Birmingham.  It is called Memories of Childhood because I felt the little fabric pictures perfectly capture the joy and innocence of being a child.

Memories of childhood Polaroid quilt

Memories of childhood Polaroid quilt

With over 80 different fabrics used for the Polaroids, there is so much to discover in this quilt.  One hundred Polaroid blocks are featured in the quilt and no picture is repeated.  There are birds, wild animals, cats, dogs, insects, boys and girls playing, mythical beasts and much, much more.   This “Blast Off” block even glows in the dark!

Polaroid quilt detail

Polaroid quilt detail

You can see more detail In an earlier post  of some of the Polaroids before they were pieced into the quilt.

All the blocks are tilted to give the impression that the Polaroids have been randomly strewn across the quilt.

Polaroid quilt detail

Polaroid quilt detail

I love these Polaroid blocks.  They make a great i-spy quilt for rainy day games.  And imagine the stories you could make up with your children using these little blocks as inspiration.

The back of the quilt is just as lovely, featuring this fabulous print of scooter boys and girls by Aneela Hoey.  It has been carefully pattern matched for a seamless finish and the red and white binding (also by Aneela Hoey) frames the quilt beautifully.

Memories of childhood Polaroid quilt back

Memories of childhood Polaroid quilt back

At 61 x 62 inches (155 X 157 cm) it is the perfect size for picnics, cuddling on the sofa, a cape, a den, a bed or thrown over a chair.

The quilt is made from high quality 100% cotton quilting fabrics, wadding and thread and has been professionally long-arm quilted (the pattern is called cool beans) to make it sturdy and durable.   Warm and snuggly, this is one of my favourite quilts.  Definitely one to be played with now and a treasured heirloom for the future.  I’ll be listing it for sale via my Folksy shop very soon.

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Baby boy Polaroid quilt

A new baby calls for a very special gift and what could be more special than a gorgeous  baby quilt.  

My latest obsession is definitely Polaroid blocks.  I love them and don’t they make a fabulous baby quilt?   Here I have fussy-cut my favourite fabrics to produce a quilt perfect for the new man in your life.  Each of the blocks has then been cut to make them slightly wonky, as though the Polaroids have been tipped from a box onto the quilt.  

There is so much to discover in this quilt.  You’ll find a boy riding a scooter, a fierce ninja, a tiny snail, a cute dachshund.  There is a crow peeking from the bushes, some ghoulish skeletons and my favourite, a scary tyrannosaurus (RAWWRR!).

 

Baby boy photo quilt

Baby boy Polaroid quilt

This little quilt, being approximately 27 by 32 inches, is the perfect size for a baby.  It is soft and supple and therefore great for cuddling baby.  It can also be a play mat, changing mat or pram blanket when the baby is little.  

Quilting detail on baby boy Polaroid quilt

Baby boy Polaroid quilt detail

Even better, it can be folded and rolled small enough to fit into a bag so the quilt can go wherever they go.  Once your baby boy gets a bit older, the Polaroids will make for fun games of i-spy or for story-telling.   Use it as a wall hanging, as a colourful addition at the end of their big bed or thrown over a chair.  

Backing on baby boy quilt

Baby boy quilt reverse

The backing in Kona cotton teal looks great against the binding – a sweet seedling print by Denyse Schmidt.  

Being made from 100% cotton makes this quilt so easy to care for.  Just give it a short, cold machine wash and dry it flat in the shade, or pop it in a dryer on a low setting.  It will come out as good as new.  

This quilt will make a wonderfully versatile and practical gift for any baby and will soon be available via my Folksy shop.  

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Regent Street lawn quilt

Often simple is best.

Start with a couple of charm packs (I used Moda’s Regent Street lawn) and two metres of a solid fabric (I used Bella Solid in off-white).

Fabrics for Regent Street charm quilt

Regent Street lawn quilt materials

Cut the solid into 124 individual 5 inch squares.  Sew the charm squares and solid squares together randomly into 16 rows with 13 squares in each row.  Then sew the rows together.

Regent Street lawn charm pack quilt

Regent Street lawn quilt

As you can’t always find a fence tall enough I had to photograph the finished quilt hanging sideways.   The quilt is 72 inches by 58 inches which is easily big enough for a single bed or as a large throw for the sofa.

Here is a close up showing the backing and detail of the quilt.

Regent Street lawn charm pack quilt detail

Regent Street lawn quilt detail

The lawn fabric is beautifully soft and silky giving the quilt a luxurious feel.  And the long arm quilting in Curlz adds a lovely texture.

This quilt design is based on the Lazy Daisy pattern by Jeni Baker.  It is a easy, simple pattern that is perfect for beginners.

Like what you see?  Remember you can follow me on FacebookInstagram and Pinterest to see more lovely makes.

A country cottage style quilt

Fabric designs featuring large roses and pretty, soft colours make the perfect choice for a country cottage style quilt.  This is a quilt I made some time ago using Tanya Whelan’s Petal collection (sadly no longer available).

Shabby chic/country cottage style quilt

Quilt made in Tanya Whelan Petal fabric

The colours appear sun bleached and summery whilst the overblown roses are reminiscent of warm afternoons relaxing in a country garden.

For the piecing, I chose an upscale version of a pattern appropriately named “square in a box”.  There are lots of variations of this pattern however I kept it simple with a large centre square framed in either a spotted or checked fabric.  The layout I chose alternates between blocks framed in spotted or gingham fabrics.  Initially I alternated the two rose designs too however I quickly changed that to a random placement of the centre roses.  Symmetrical layouts really are not for me.

Roses quilting on shabby chic/country cottage style quilt

Roses quilting detail on Tanya Whelan petal quilt

The quilt was long arm quilted using a dense pattern of open roses.  It is a little difficult to see in this photo however I think you can make out one of the roses in the gingham square.

Pieced backing on shabby chic/country cottage style quilt

Pieced backing on Tanya Whelan petal quilt

In keeping with the country style of the fabrics, I made a pieced backing for this quilt featuring the large roses and two smaller rose designs not used on the front.  The pink gingham fabric makes a charming binding to finish.

This quilt has been washed to achieve that lovely vintage crinkly appearance and is made from 100% cotton fabrics, thread and wadding.  It will be on display at my Bucks Open Studio event in June.  I’d love to see you if you are able to visit.

Over the next few weeks I’ll be sharing details of more of my quilts that will be on display in June.  Remember you can also follow me on Facebook, Instagram and Pinterest.  I look forward to seeing you there.

Milk churn patchwork quilt

What do you give someone when you want  something that says “you’re special”, something that says “thank you”, something that says “I love you”?  For me, the answer is usually always a handmade quilt (sometimes it is cake but that is another story).

Earlier this year, it was my privilege to make a custom order quilt for a couple who have a jersey cow stud.  When I showed my client a  fun quilt pattern featuring rows of milk churns (remember those?) we knew we’d found the perfect design.  I mean, dairy farmers and milk churns, what could be more appropriate?

Milk cow kitchen patchwork quilt

Milk churn patchwork quilt

The fabric collection is Milk Cow Kitchen by Mary Jane Butters for Moda.  Nostalgic, a bit kitsch, the collection features tiny jersey cows, vintage cars, kitchen utensils, milk bottle tops and my personal favourite, lots of moos!!.  There is even a recipe for strawberry jam.

Milk Cow Kitchen patchwork quilt detail

Milk churn patchwork quilt detail

To make the quilt I used this free pattern from the Fat Quarter Shop.  I did change the pattern slightly by  adding an extra column of milk churns to make it wider and I changed how I added the sashing.  The milk churn lids were made as larger strips that are then cut down making it much quicker and easier to put together than it first looks.

Milk Cow Kitchen patchwork quilt detail

Milk churn patchwork quilt detail

The finished quilt was professionally long-arm quilted with an overall pattern called Cloud Nine.

Milk Cow Kitchen patchwork quilt backing

Milk churn patchwork quilt backing

And for the backing, I chose this green Lulu fabric from the Up Parasol range by Heather Bailey.  It is one that I wish I had been able to buy more of as it really is the most lovely light olive green.

The 100% cotton wadding in the quilt makes it irresistibly soft and warm and gives the quilt a beautiful drape.   At 70 inches by 64 inches, it is a very versatile size and perfect for a bed or a sofa.

Today I received the good news that Royal Mail and Australia Post did their bit and delivered the quilt safe and sound to its new home.  And I’m very pleased to say that it was a very welcome present that will be much loved for many years to come.  A special gift for a lovely couple.

Checkerboard quilt – a work in progress

Strangely I seem to have a number of half-finished quilts cluttering up my workroom.  I’m not sure how this happened.  Best not to dwell on the how and instead focus on getting them completed.

With this in mind, over the past week I have been working on a checkerboard quilt top that had been languishing on my dining room table for (many) months.   I had decided to use a jelly roll for the patterned sections and then very quickly wished that I hadn’t.  Don’t get me wrong.  I love using jelly rolls.   Sadly this one seemed to have more than its fair share of strips not cut on the grain and many were slightly wider than 2 1/2 inches.   After a bit of judicious cutting, thankfully this wasn’t too much of a problem.

Rather than cut out individual 2 1/2 by 2 1/2 inch squares, I used this strip piecing tutorial by Red Pepper Quilts.  I selected 33 strips from my jelly roll, cut them in half on the fold line and then attached a 2 1/2 inch wide strip of plain fabric  to the long side.   Although not really necessary, I cut the jelly roll strips in half to reduce any potential problems if the strips were wonky.   I really needed only 32 jelly roll strips for the quilt.  The extra one was to allow for any cutting errors (sad to say, there was one) and also ensured I had plenty of options when putting the quilt top together so that similar/same patterns weren’t right next to each other.  The sewn strips were then cut down to 10 1/2 inches long and then sewn to another pair of sewn strips.  Although these strips were slightly shorter than the 11 inches recommended in the tutorial there was more than enough fabric available when cross-cutting the strips.

Ambleside strips for checkerboard quilt

Checkerboard quilt strips

I worked on a quarter of the quilt at a time as I don’t have a large enough space in which to layout the full quilt design.  Making up blocks of 16 squares each as per the tutorial made it much easier to nest the seams together and the reverse stayed very neat and tidy too.

Ambleside checkerboard quilt blocks

Checkerboard quilt blocks

My quilt top is now complete and ready for quilting.

Ambleside checkerboard quilt top

Checkerboard quilt top

I love the colours in this one.  They are so soft and pretty.  And the white squares make it look lovely and fresh.   Here is a close-up so you can see all that prettiness in detail.

Ambleside checkerboard quilt top detail

Checkerboard quilt top detail

It reminds me of meadow flowers strewn across a white sheet and I don’t even mind the greys in this one.  Now I just need to choose the backing fabric and the quilting pattern.  Decisions, decisions.

Oh, and in case you are wondering, I used an Ambleside jellyroll by Moda –  a very pretty, country cottage collection of rose, daisy, gingham and lace designs – and Bella Solid in Off White for the plain squares.

Back with more soon.

When it rains, look for rainbows

Is there anyone who doesn’t love rainbows?  They are so beautiful; a symbol of hope and a promise of better things to come.
 
Rainbow over rooftops

Rainbow over rooftops

The beautiful colours of Fancy by Lily Ashbury simply lent themselves to a rainbow quilt.  Even the press information about this collection described it as being like “rays of sunshine on a cloudy day” and “gorgeous, lush, and drenched with colour”.  

 

The collection was missing a purple so I hunted though my fabrics to find something suitable.  This was harder than it might seem as purple, particularly a dark reddish purple, is not a common colour in quilting fabrics (they seem to tend toward lavender and bluish purples).  Thankfully I found two.  

Purple fabrics

Purple fabrics

The sharks tooth is a fabulous match as the pattern mimics others in the Fancy collection.  The second had little birds on it.  At first, I wasn’t sure if this would really work with the other fabrics.  But then I remembered that in the song, “happy little bluebirds fly beyond the rainbow” so it was obviously meant to be.  

 

The spectrum of colours made a coin quilt design an obvious choice for me.  I had so much fun making my last off-set coin quilt, I decided to use this as the basis for my rainbow quilt.  For this quilt, I used a jelly roll and simply removed any duplicate fabric strips.  The fabrics were used in the same order they were presented in the jelly roll and the same design was used across a row in each of the five columns.  A Flurry spot (Dashwood studios) in light teal was the perfect choice for the background.   

 

I had no dilemmas about what to use for the backing fabric.  It just had to be unicorns.  I mean, what else would you expect to find behind a rainbow?  Visitors to my Bucks Open Studios event were asked to help me choose which unicorn fabric to use.

 

Unicorn fabric from Far Far Away collection

Unicorn fabric by Heather Ross

It was an even split between the green and the purple colour ways of this lovely whimsical design by Heather Ross from her Far Far Away collection.

 

In the end, the decision was taken out of my hands as I could only source enough of the green colour way to complete the backing. Either one would have worked however the green is a beautiful, soothing colour that is the perfect counterfoil for the riot of colours on the front. 

 

The lovely, swirly Curlz (it’s my favourite) was used as the quilting design and a glorious sunshine yellow from the Linen Cupboard collection was chosen for the binding.

 

Off-set coin rainbow quilt

Off-set coin rainbow quilt

 

This cuddly, warm quilt in cheerful, sunny colours cannot fail to  banish dark days and rainy skies.  

Festival of Quilts – a picture post

On Sunday I made the journey to Birmingham (UK) for the Festival of Quilts.  It was almost overwhelming seeing so many gorgeous quilts on display (not to mention the shopping opportunities – but more on that at another time).  Rather than give an overview of the show, I thought I would share some of my favourite quilts.  They may not have been THE prize-winning quilts however they were all winners in my book.  

I loved the calm serenity of this quilt from the pictorial quilts section.

Quilt 67 - Marshwood Vale by Kate Dowty

Quilt 67 – Marshwood Vale by Kate Dowty

The sunny outlook and bright colours of this pictorial quilt I found very appealing.  You could find something new in this quilt each time you looked at it.

Quilt 60 - Good Morning Gorran by Brenda Thomas

Quilt 60 – Good Morning Gorran by Brenda Thomas

This close-up shows the amazing detail – all done a small domestic sewing machine.  Respect!

Quilt 60 - Good Morning Gorran (detail) by Brenda Thomas

Quilt 60 – Good Morning Gorran (detail) by Brenda Thomas

Here is one of my favourites from the contemporary quilt section.   A quilt covered in little dresses.  So cute!  And I loved the hats and shoes quilted in the background.  Can never have enough of those.

Quilt 718 - Nostalgia by Jannie Bloemers

Quilt 718 – Nostalgia by Jannie Bloemers

Quilt 718 - Nostalgia (detail) by Jannie Bloemers

Quilt 718 – Nostalgia (detail) by Jannie Bloemers

This quilt by Andy Brunhammer from the Art Quilt Category looked fairly nondescript until you looked at it through a camera.  Suddenly, the image revealed itself as the face of a sleeping woman (Bette Davis, no less).  How is this effect achieved?  I have no idea although it has “something to do with pixels”.  

Quilt 563 - Sleep Jezebel by Andy Brunhammer

Quilt 563 – Sleep Jezebel by Andy Brunhammer

I loved this tiny quilt by Joanna O’Neill.  It reminded me of the seven basic plot outlines – wo/man against something/someone, rags to riches, a quest and so on.  It is now difficult to think of a book that would not be improved by the addition of at least one cat.  

Quilt 8 - A Tale Worth Telling by Joanna O'Neill

Quilt 8 – A Tale Worth Telling by Joanna O’Neill

As lovely as these quilts were, I still prefer a quilt that can be used as more than a decorative piece.  I like quilts that keep you warm at night, share your picnic and that you can hide under during the scary bits in Dr Who (I still have nightmares about those statues!).  
This scrappy quilt, in which “no yardage was harmed in the making” was a delight.  Such a glorious collection of colours.

Quilt 327 - No Yardage was Harmed in the Making of this Quilt by Alison Robins and Krista Withers

Quilt 327 – No Yardage was Harmed in the Making of this Quilt by Alison Robins and Krista Withers

I also loved the blues and metallic gold fabrics used in this traditional sampler quilt.  Can you believe it was her first quilt?

Quilt 474 - Learning Curve by Janet Ann Bowden

Quilt 474 – Learning Curve by Janet Ann Bowden

And this one with a simple but very effective design of squares and half-square triangles.

Quilt 721 - Bank Holiday by Ruth Burdett

Quilt 721 – Bank Holiday by Ruth Burdett

Any of you who follow my Facebook page will have seen that I also entered a quilt in this year’s show.  Here it is on display.

Quilt 328 - Pot Luck Coins by Jen Kelson and Jenny Otto

Quilt 328 – Pot Luck Coins by Jen Kelson and Jenny Otto

And I received some very nice comments from the judges too.  All in all, a great day out.